More and more directors are asking for authenticity from actresses when it comes to hair colour , and so wigs are being put to one side and the directors are asking for the hair to be coloured, great for our industry a little harsh on the actress if she’s going from one role to the next and different colours., But on screen it looks much more realistic than a wig even a good wig.I think they can always add pieces to the look but the majority is the actresses hair
last year I took Suki Waterhouse Brunette knowing full well that I would have to take her back blonde at the end of the film. Given this I wanted to make the transition as smooth as possible, and had hoped for a few weeks but literally had 2 days to turn it around. Life in the Bubble always throws you a curve
Often we see celebrities in the press during a colour transition and they look slightly imperfect but for the film or tv show its spot on, most colour changes/ corrections are better when going from dark to light gradually, i believe in leaving the hair in good condition , remember beautiful colour is really only achieved when the hair is in great condition (this is why we should always offer our professional shampoo and conditioning systems to clients) up sell!
My initial thought was to use Loreal professional Effesor which although I like you can’t do a pre lightening service on the same day so i would have needed more time for the balayage. with Effesor technically you need to do what they call a search cleanse and if thats not enough on to the deep cleanse , its all about finding out the true colour story that clients don’t always tell us and so you don’t damage the hair. You can then colour the hair but no pre lightener can be used that day so I would have needed at least 24 hours at least to rest. Alternatively I also like Goldwells colour remover system this removes the colour molecule and can be done in one or 2 applications i’ve had great success with it and its in my kit bag so to speak.